In my collection, the key elements revolved around ‘Radha Krishna’ and their mythological characterisation of love and beauty. What were some of the key elements or unique aspects that you incorporated into your designs for the fashion show? She was incredibly supportive and encouraged me to participate as both a model and a designer, enabling me to network with more individuals in the field. After reviewing my portfolio, she invited me to participate in a show organised by her I had my collection ready and agreed to participate after gaining practical experience in all aspects of the show. I reached out to Mehak Ma’am inquiring about an internship opportunity. How did your collaboration with Mehak Gulati come about, and what was it like working with her as a fellow designer? This experience helped me connect with media professionals and other industry experts, creating meaningful collaborations for the future. I had conversations, presented my work and vision to the team, and gained their confidence in me to work as a designer and plan the choreography, music, and overall vibe of the show as a team leader. When I was looking for an internship opportunity, I came across this platform for early college students and fashion enthusiasts to showcase their talent and learn the ropes of the industry. While I had some experience organising a fashion show, choreographing the runway, and dealing with backstage issues as a member of the organising team of a college fest in my first year, the COVID-19 pandemic halted my exploration of this aspect for two years. Being a student and not a professional in the industry, this presented a challenge, but also an opportunity for me to delve deeper into this part of the fashion industry. However, I had little knowledge of how to connect with these platforms without any networking or connections. What were the biggest challenges you faced while preparing for the fashion show, and how did you overcome them?Īfter finishing my graduation project, I was eager to find a platform to demonstrate and expand my knowledge of the complete process of designing and presenting it to an audience. Through this endeavour, I aimed to contribute as a designer while addressing the challenges of waste fabric landfill and pollution in the fashion industry. Collaborating with the weavers of my hometown, my aim was to bridge the gap between consumers and these talented artisans, thereby fostering a deeper appreciation for their craft. With this project, I attempted to develop a raw and impactful manifestation of my vision as a designer and expressed the concept behind the collection as a model.Īdditionally, the fabric used in this collection consists of fresh handloom leftovers, chosen with great care to address the issue of fabric waste and the pollution associated with the fashion industry. Beauty and love are expressions from the soul, mind, and body together, yet we modern intellects often avoid this beautiful emotion and search for it in the materialistic world.Īs a designer, I hoped to make social, environmental, and economic contributions by connecting businesses to heritage textile art, surface embellishment techniques, mythological stories as inspirations, characterisation of unseen emotions, and more, while empowering local artisans and the heritage traditional art of India on a global scale. It is a luxury couture collection creating contemporary ethnic wear for the wedding, spiritual, and festive seasons, with a conceptual essence of mixing mythological elements, characters, and emotional messaging, incorporated with a touch of fictional modern visual play without losing its authenticity in the process. This collection aimed to revive and celebrate traditional textiles and craftsmanship, along with the Indian mythological essence of expressing through stories and emotions, with a sustainable approach towards ethical fashion. The design elements are inspired by various symbols related to the divine Indian mythological symbol of love (Radha-Krishna). The concept behind my final project was ‘Rati: The Hidden Rainbow of Serenity.’ Rati SS’23 is a collection of five ensembles inspired by Shringara rasa (Beauty and Love), one of the nine emotions in Nava rasa, and different expressions of Rati bhava.
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